According to a recent article, Dune: Part Two has been hailed as one of the best films of the year and one of the best sci-fi movies ever made. However, Warner Bros’ decision to release most movies on their streaming platform, Max, just 45 days after their theatrical release has led to Dune: Part Two also being subjected to this policy. The streaming release date for Dune: Part Two is set for April 16, which is a month and a half after its original theatrical release on March 1.
The author of the article argues that cutting off Dune: Part Two’s theatrical run was a poor decision by Warner Bros as the movie is best experienced on the big screen due to its sweeping visuals, incredible score, and perfect sound design. The author believes that the movie’s impact will not translate as well for home viewing and emphasizes the importance of seeing it in theaters if possible.
Despite a decrease in showtimes, Dune: Part Two continues to perform well at the box office. Just two days before its streaming release, the movie earned $7.4 million domestically, bringing its worldwide total to $669,384,065. This success has already led to the greenlight for Dune 3, titled Dune: Messiah, showcasing the potential of the franchise. However, the author criticizes the decision to pull the movie from theaters just a month and a half after its release.
The article also highlights how other studios have recognized the value of keeping movies in theaters for a longer period before releasing on streaming platforms. For example, Barbie did not come to streaming for five months after its release, while Oppenheimer was released in July but only arrived on streaming in February. The author argues that the 45-day window for Dune: Part Two’s streaming release is evidence of how prioritizing streaming services over theatrical releases can harm the overall success of a film.
Warner Bros has been facing financial challenges and has been taking various measures to pay down debt, including removing shows from Max or canceling finished films. The 45-day window for streaming releases is aimed at increasing Max subscribers, but the author believes that it might be costing the studio more than its helping. While the author recommends watching Dune: Part Two in any format, they strongly advise experiencing it in theaters for the best viewing experience.
In conclusion, the article emphasizes the importance of supporting theatrical releases and the impact of Warner Bros’ streaming policies on the success of movies like Dune: Part Two. Despite the availability of the movie on Max, the author encourages moviegoers to watch it in theaters for the full cinematic experience. The success of Dune: Part Two at the box office demonstrates the value of theatrical releases and the impact they can have on the overall performance of a movie.
