Giancarlo Esposito reflects on the relevance of Francis Ford Coppola’s long-awaited film “Megalopolis”, which he first read over two decades ago. The film, self-funded by Coppola, is a sprawling sci-fi fable that pits a visionary architect against the establishment, represented by corrupt prosecutor-turned-mayor Francis Cicero, played by Esposito. Inspired by the Catiline Conspiracy of ancient Rome, the film imagines a futuristic New York City known as New Rome, with Adam Driver portraying the reimagined villain, Cesar Catilina turned hero. Esposito notes the cyclical nature of history and how it repeats itself, drawing parallels to modern U.S. politics.
Esposito looked to historical figures like David Dinkins, the first Black mayor of New York City, for inspiration in his role as Mayor Cicero. Dinkins, like the character, was largely unsuccessful in accomplishing his goals during his term. Esposito also drew inspiration from Eric Adams, a newly elected mayor and ex-police commissioner, in considering how to control the masses. The film “Megalopolis” premiered at the Cannes Film Festival to mixed reviews, with some criticizing its complexity and others praising its innovative storytelling and exploration of themes. Esposito is excited for a North American audience to see the film after its successful European premiere.
The film is set for release in Canada on September 27 and Esposito believes it carries both a worldly and North American message. He sees it as a reflection of current political and societal issues, with themes that resonate with audiences in both regions. Esposito is hopeful that North American viewers will appreciate the film’s depth and creativity, which he feels may have been overlooked by some critics at Cannes. He views the Toronto International Film Festival as a crucial platform for the film to reach a broader audience and make a significant impact.
Esposito marvels at Coppola’s seeming prescience in creating a story that remains relevant decades after he first encountered it, hinting at the director’s ability to anticipate the cyclical nature of history. The film’s exploration of power dynamics, political intrigue, and moral ambiguity strikes a chord with audiences, drawing parallels between ancient Rome and modern society. Esposito sees “Megalopolis” as a timely and thought-provoking work that raises important questions about leadership, corruption, and the preservation of democracy. The film’s screening at TIFF and upcoming release in Canada are key milestones in its journey to engage audiences and provoke meaningful discussion.
