During a masterclass at the Venice Film Festival, Richard Gere reflected on his role in the iconic film “Pretty Woman,” expressing that his character, millionaire playboy Edward Lewis, was underwritten in the script. Gere joked that his character was essentially a suit and a good haircut, lacking depth and complexity. To make up for this, Gere and director Garry Marshall ended up improvising a pivotal scene in which Lewis plays the piano for Vivian, played by Julia Roberts, before a steamy encounter unfolds between the two characters. Gere revealed that this scene was not originally in the script but ended up being crucial to the film’s success, as it showcased a softer, more mysterious side of his character that Vivian had not seen before.
The improvised piano scene allowed viewers to see a different side of Lewis, which added depth and complexity to the character. Gere explained that the scene was inspired by his own late-night habits of playing the piano when jet-lagged in hotel ballrooms or bars. By improvising this moment, Gere and Marshall were able to reveal a mysterious yearning and damaged quality to Lewis, which changed Vivian’s perception of him. This unexpected scene ultimately played a significant role in the success of “Pretty Woman” and helped to elevate the film beyond its initial romantic comedy premise.
Despite the enormous success of “Pretty Woman,” which grossed over $463 million worldwide, Gere fondly recalled the experience of making the film as a time of fun and creativity. He admitted that during production, there was uncertainty about whether the movie would resonate with audiences or be well-received. However, the chemistry between Gere and Roberts, as well as the improvisational moments like the piano scene, added layers to the film and ultimately contributed to its lasting appeal. Gere’s reflections on the making of “Pretty Woman” shed light on the collaborative and spontaneous nature of filmmaking and underscore the importance of creating authentic, memorable moments on screen.
Gere’s candid remarks about the script and improvisational nature of “Pretty Woman” offer insight into the creative process behind the beloved romantic comedy. By sharing details about the development of his character and key scenes in the film, Gere provides audiences with a glimpse into the behind-the-scenes dynamics that shaped the final product. His willingness to discuss the challenges he faced in portraying Lewis and the collaborative efforts with Marshall and Roberts highlights the complexities of bringing a character to life on screen. Gere’s masterclass at the Venice Film Festival serves as a fascinating exploration of the nuances of acting and filmmaking, showcasing the creativity and passion that drive the industry forward.
In reflecting on his role in “Pretty Woman” and the impact of the improvised piano scene, Gere emphasizes the importance of finding moments of spontaneity and authenticity in storytelling. By allowing room for unplanned interactions and emotional connections to unfold on screen, actors and filmmakers can create resonant and memorable cinematic experiences. Gere’s experience with the film serves as a reminder of the power of collaboration, creativity, and risk-taking in bringing characters to life and engaging audiences on a deeper level. Through his masterclass at the Venice Film Festival, Gere invites viewers to consider the transformative potential of unexpected moments and the enduring impact of well-crafted storytelling in the world of cinema.
