Monkey Man, a revenge thriller directed, written, and starring Dev Patel, tells the story of a vengeance-fueled murderer seeking revenge on the corrupt cop who killed his mother. Set in a fictional Indian city plagued by sectarian hatred, Patel’s character, known only as Kid, is enslaved by his need for revenge as well as the societal oppression he faces. The film, while trying to provide cultural context for the story, ultimately glorifies extreme violence, hinting at Patel’s desire to unleash his inner Bruce Lee.
The movie takes its title from an old Hindu legend that captivated Kid as a child and inspires his persona on the city’s underground fighting circuit. Kid, wearing an ape mask, takes dives for money to fund his vendetta against the corrupt cop, who is now a powerful figure in the police force. With some unlikely allies, including members of a transgender commune, Kid embarks on a dangerous solo mission to bring down those he holds responsible for his mother’s death. Despite being the most wanted man in India, Kid’s unique set of skills, from martial arts to marksmanship, help him navigate through his journey.
In contrast, The First Omen serves as a prequel to the classic horror film The Omen, offering a compelling and gripping story that stars Nell Tiger Free as a young American nun working at an orphanage in 1971 Rome. Uncovering a sinister plot by a group of clerics to birth the Antichrist, Free’s character faces a chilling battle against dark forces. Directed by Arkasha Stevenson, the film presents a riveting premise that combines horror and thriller elements, with standout performances by Free, Charles Dance, and Ralph Ineson.
Meanwhile, The Trouble With Jessica follows a couple, Sarah and Tom, faced with financial difficulties as they try to sell their North London home. Their plans are further complicated when a guest commits suicide during a dinner party, making the property less appealing to potential buyers. With a star-studded cast including Shirley Henderson, Alan Tudyk, Rufus Sewell, Olivia Williams, and Indira Varma, the film attempts to satirize the middle-class lifestyle but falls short with its clunky execution and unlikable characters. The running gag about a French dessert clafoutis adds more irritation than humor.
