Tilda Swinton and Pedro Almodóvar collaborated on the new film “The Room Next Door,” which is Almodóvar’s first English-language feature. Swinton noted that Almodóvar writes in his own unique language, which she describes as “Pedro language,” even though the film is in English. Set in New York, Swinton stars as Martha, a terminally ill woman who chooses to end her life on her own terms. After reconnecting with her friend Ingrid, played by Julianne Moore, Martha persuades her to stay and keep her company before she goes through with her decision. Swinton believes in the importance of individuals having a say in their own living and dying, reflecting on her own experiences as a witness to a friend’s compassionate departure.
In an interview with The Associated Press, Swinton discussed the challenges of portraying a character facing death and the impact the film could have on audiences. She expressed the hope that Martha’s attitude towards her own living would inspire others to face death with dignity. Swinton also highlighted the inevitability of death and the importance of embracing it rather than avoiding the topic. She acknowledged the existence of places where assisted suicide is not considered criminal, advocating for a broader acceptance of individuals controlling their own dying process.
Swinton shared her experience working with Pedro Almodóvar on “The Room Next Door,” noting the director’s unique and fast-paced style of filmmaking. She explained that Almodóvar’s approach to filming, with minimal takes and rapid production, added an organic element to her performance. Swinton emphasized her admiration for Almodóvar’s work and the unique world he creates in his films. The film received a positive reception at the Venice Film Festival, with a long standing ovation from the audience, which Swinton found validating and rewarding.
When asked about awards season and buzz surrounding the film, Swinton expressed a sense of detachment from such considerations, focusing instead on the present moment. She likened the speculation about awards to predicting the weather months in advance, emphasizing the importance of staying grounded and focused on the work at hand. Swinton’s involvement in “The Room Next Door” was driven by a genuine passion for the project and a desire to explore complex themes around life and death, rather than seeking external recognition or accolades. The film’s exploration of assisted suicide, friendship, and individual autonomy in the face of mortality resonated with audiences and critics, showcasing Swinton and Almodóvar’s creative collaboration.
